"Like being slowly ground to mush by slabs of drab, grey concrete. At least as desolate and bleak as any DSBM record; even the drums sound listless and like they’ve given up hope. Yet the vocal style is not the typical howl of agony, but rather a defiant snarl, and the air is one of soldiering on despite knowing about the pointlessness." - Toilet ov Hell
" ...these songs are constantly surprising, albeit in different ways. There is a surreal quality to the music as it flows along its twisting course, with outbursts of dark, dissonant, thorny permutations interwoven with soulful, gliding, and sinuous instrumental passages, both moody and mystical, that sometimes partake of traditions other than extreme metal.
The result is completely captivating, even though the music is also more than a little unsettling. It’s a riveting experience to follow along, but also a very dark, often desolate, and sometimes agonizingly demented trip." - No Clean Singing
credits
released November 18, 2018
Cover art is part of Leon Augustin Lhermitte's "Death and the Woodcutter", year unknown.
Guitars, bass, programming drums and lyrics by Henry.
Written, recorded, mixed and mastered by Henry, 2018.
The metal’s band revelatory new record crosses genres and styles, effortlessly combining seemingly incompatible subgenres. Bandcamp Album of the Day Apr 26, 2024
supported by 12 fans who also own “Howling, The Sol Above, Nothing Below”
Dans Invicta, Theophonos reprend une formule qu'il maîtrise bien : un black metal furieux s'inspirant de thèmes antiques grecs qui aura vite fait de perdre la personne inattentive. Mais en même temps, il sait comment changer cette formule — et il ne fait vraiment pas semblant — puisque cet album est en grande partie instrumental. Theophonos, en vrai virtuose, a l'audace de créer une ouverture de 14 minutes qui passe comme un ouragan. Comme quoi, le titre de l'album ne ment pas : il est invaincu. Jordan Vauvert